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[post-rock] (2019) Chris Brokaw - End of the Night [FLAC,Tracks] [DarkAngie]


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Torrent File Content (13 files)


(2019) Chris Brokaw - End of the Night [FLAC,Tracks]
     02 - Trade Winds.flac -
27.09 MB

     09 - His Walking.flac -
21.99 MB

     06 - Step Outside.flac -
19.54 MB

     05 - Our Fathers.flac -
17.54 MB

     10 - End of the Night.flac -
12.6 MB

     01 - Swimming, Tuesday.flac -
10.68 MB

     03 - Bragging Rights.flac -
8.69 MB

     04 - Her Breathing.flac -
8.11 MB

     08 - Blue Out.flac -
7.85 MB

     07 - A Dip.flac -
5.71 MB

     cover.jpg -
1.87 MB

     audiochecker.log -
701 bytes

     downloaded from katcr.co.txt -
34 bytes



Description



(2019) Chris Brokaw - End of the Night


Review:
Chris Brokaw has spent a lifetime in music making other people sound better, from his early days in Codeine and Come to gigs recreating Psychic Hearts with Thurston Moore or sitting in on guitar with Consonant and or playing drums for The New Year. Most recently, he’s left a mark with the insanely stacked Charnel Ground, whose other members are Kid Millions and James McNew. His solo work ranges widely, too, from finger picked blues to abrasively tuneful guitar pop. But even given all that, this new one, End of the Night, is special. The disc begins and ends with Brokaw in duet with Greg Kelley, laying down languid lines of electric guitar against the trumpeter’s airy, melancholic “Chet Baker” tone. Brokaw wrote this album with the idea of creating the ideal end-of-the-night listening experience, and indeed, there is a midnight blue tone to both these songs—the opener “Swimming, Tuesday” and the closing title track — a serenity tinged with smoke and memory. These two tracks, along with several others, edge Brokaw’s work into jazz, though it is cut with the shimmery guitar translucence of post-rock and drone. Brokaw brings together a handful of talented collaborators to End of the Night, working mostly with them in ones and twos. Boston jazz drummer Luther Gray makes an appearance on four tracks, including the moody “Tradewinds,” where his dry, steady patterns of cymbal and snare pockmark swarms and clouds of guitar notes that move slowly across a melody, their particulate nature blurred and smudged in halos of sound. Lori Goldston lays down a dusky throb of cello in “Bragging Rights,” her smudgy resonances contrasting intriguingly with Brokaw’s bright, bucolic country blues. And in “Her Breathing,” both Brokaw’s guitar and Samara Lubielski’s violin take on a luminous abstracted tone, turning sustained string tone into edge-less, glowing bars of Rothko color; the cut has the inward looking tranquility of church organ music, though none of the pomp and bombast. Longtime associate David Michael Curry plays viola, Jonah Sacks cello and Timo Shanko acoustic bass on the brief, dreamlike “A Dip,” slithering in and out of the slipstream of Brokaw’s Spanish-toned guitar melody. Yet though all these guests fill out the corners of this lovely album, it is ultimately Brokaw’s show. He plays by himself on “Blue Out,” coaxing eerie, lingering, shape-shifting notes. The track is three minutes of pure sonic sensation, the notes denatured to essence, no string squeak or finger tap to indicate where they came from. The song, and indeed, much of the album, has a masterful restraint, yet is in no way minimalist. It takes only a few notes, pondered on, left to linger, to entirely fill up the space, in the way that a few sounds take on resonance in the quiet at the end of the night.


https://cl.ly/15abc63c320a/cover.jpg



Tracklist:
01 - Swimming, Tuesday
02 - Trade Winds
03 - Bragging Rights
04 - Her Breathing
05 - Our Fathers
06 - Step Outside
07 - A Dip
08 - Blue Out
09 - His Walking
10 - End of the Night


Summary:
Country: USA
Genre: post-rock


Media Report:
Source: CD
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Bit rate: ~ 750-820 Kbps
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits

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